O I DID begin practicing at home, but it wasn’t easy.  I knew that my parents weren’t going to consider rolling peas a suitable occupation for my spare time, so I tried to slip a few peas into my pocket during dinner so that I could practice alone, in my room, later in the evening.  If, as a child, you ever tried to slip a few peas into your pocket during dinner, you are aware that parents regard pocketing peas with suspicion.
    Only when we’re much older do we understand—not merely recognize or acknowledge but understand—that our parents were young once, too, and that they may have had their own youthful experiences with the things that occupy us, such as peas, and when that understanding does come to us at last, though it ought to forge a retrospective bond between us and our parents, it is far more likely to make us blush with the recognition that, being pea-wise already, they must have suspected exactly what we were up to with those peas and that suspicion must have been why they said, gruffly, “Don’t play with your food.”  I, for example, had no idea what underpinnings of guilt and pleasure might have supported my parents’ injunction against playing with one’s food until the Glynns taught me advanced techniques and, weeks later, I learned the purpose and application of those techniques, but because I was at an age when nearly everything I did seemed to arouse my parents’ suspicions, I knew before even attempting it that removing some peas from the table wouldn’t be easy.  I had thought of asking my mother for a few peas while she was cooking, before my father, the king of suspicion, came home, but when I rehearsed my asking her, I knew that she was sure to want the answer to a question beginning with why, and I knew it would be wise to be prepared with some sort of plausible answer.
    The only answer I could think of that seemed likely to work involved using the peas in a science experiment, so I concocted one.  It was based on the idea of feeding one group of pea plants on gibberellic acid (a metabolite of the fungus Gibberella fujikoroi) while leaving a second group undoped, as a control, and measuring the respiration of the plants to determine whether they processed carbon dioxide at different rates.  I’ve always thought that if one is going to be prepared, one ought to be thoroughly prepared, so I imagined what it would be like to set the whole thing up in the cellar, under lights, and go through with it all, conduct the study, compile the results, make it appear legitimate.  When I found myself making a mental list of the supplies I would need, I discovered that merely thinking it through was wearing me out.  I abandoned that idea.  It really did seem more than was required.
    So, I was either going to have to try to slip some peas into my pocket at the table without being noticed—and almost certainly fail—or get some leftover peas from the plates during the washing up.  It would have to be during the washing up.

Gently Provocative

Marvelously Appealing

At Home with the Glynns is published in paperback by Picador, a division of St. Martin's Press, at $11.00.

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At Home with the Glynns is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author's imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

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First published by Crown Publishers, Inc., 201 East 50th Street, New York, New York 10022. Member of the Crown Publishing Group. 

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.