Leaving Small’s Hotel |
by Eric
Kraft, as Peter
Leroy
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YOU CAN READ
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Chapter 6
September 15 Flying Saucers: The Untold Story
ARLY
IN THE MORNING, I ferried our three guests back to the mainland.
Dick and Jane sat in the bow with their arms around each other for the
whole trip. They had told Albertine, while they were checking out,
that their stay at Small’s had “really meant something,” and they had made
a reservation for a week’s stay at the end of October, so that they could
hear the last of my readings. I was flattered when Albertine told
me that, and I wanted to tell Dick and Jane that I was pleased and flattered,
but now, I could see, they wanted to be alone. We must give the ends
of things their due, even things as familiar as weekends, even the end
of a day, or else there is no rhythm to our lives.
LATER IN THE MORNING, Albertine and I waited at the dock for the arrival
of one of the realtors who had toured the island a couple of days earlier,
Liza, who was bringing a prospective buyer. Liza and her client made
the crossing in what looked like a duck blind with an outboard motor on
it. The hull was painted olive drab with splotches of black, brown,
and beige, in the style of army camouflage. The cabin was thatched
with reeds. As the boat approached, I found myself sidling up to
our launch, placing a possessive hand on it, and standing a little taller.
My heart swelled with pride. I was the owner of the better boat.
ALBERTINE and I had the dining room to ourselves that night. After dinner, I built a fire in the lounge, and I began reading the sixth episode of Dead Air, “Flying Saucers: The Untold Story,” to an audience of one. |
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UDLEY
BEAKER was a fussy, educated man who lived next door to my maternal grandparents.
Encouraged by my mother and tolerated by my father, he took an interest
in my development. He never missed an opportunity to correct my course,
and I came to loath him for that. I kept my loathing to myself, lest
he discover it and correct the tendency, but it was bound to come out some
day, and, under the influence of flying saucers, it did.
Flying saucers were a craze when I was a boy, but I couldn’t make myself believe in them. I tried. I wanted to believe in them. I understood that it would be fun to believe in them. I followed the reports of spottings and tried to swallow them, but it wasn’t easy. The photographs were especially hard to accept. I kept seeing flying hub caps, pie pans, and Jell-O molds instead of saucers. One of the magazines devoted an entire issue to “Flying Saucers: The Untold Story.” It began with a summary of saucer sightings from earliest times to the present and ended with plans for a saucer detector. I built a detector, but only for the sake of scientific inquiry. I didn’t expect it to detect anything. I was a skeptic and a realist. . . . |
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OU
burst through the door, beaming, pulling mittens from his hands, and said,
“What’s this? You started without me?”
“Lou!” said Albertine, clearly pleased to see him. “What are you doing here?” I asked. “I couldn’t stand to miss a single thrilling episode,” he said. “A single — what — do you mean —?” sputtered Al. “If you’ve got a room available, I want to sign on for the whole tour.” “Gee, I’ll have to check.” “Actually, I’m going to need two rooms for the next few days,” said Lou. He turned toward the doorway and called, “Honey?” A woman came into the lounge. She was bundled in an enormous insulated jacket that might have served for an assault on Everest, and she wore a fur hat, but her long and stunning legs were virtually unprotected. “He kidnapped me,” she said, laughing. “Get near the fire,” Lou told her. “I’ll fix you a hot toddy, or a Tom and Jerry — or how about a hot buttered rum?” “How about a hot cup of coffee?” “Good. I don’t know how to make any of those other things.” “I’m Elaine,” she said. “The impulsive old geezer behind the bar is my father.” “Jeez, I’m sorry,” said Lou. “Where are my manners? Elaine — Albertine. Albertine — Elaine. Elaine — Peter. Peter — Elaine.” “We interrupted you,” she said to me. “Oh, that’s —”I began. “No, no,” said Lou, flapping his hands. “Go on. Go on.” So I did, beginning again at the beginning. |
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UDLEY
BEAKER was a fussy, educated man who lived next door to my maternal grandparents.
Encouraged by my mother and tolerated by my father, he took an interest
in my development. He never missed an opportunity to correct my course,
and I came to loath him for that. I kept my loathing to myself, lest
he discover it and correct the tendency, but it was bound to come out some
day, and, under the influence of flying saucers, it did.
Flying saucers were a craze when I was a boy, but I couldn’t make myself believe in them. I tried. I wanted to believe in them. I understood that it would be fun to believe in them. I followed the reports of spottings and tried to swallow them, but it wasn’t easy. The photographs were especially hard to accept. I kept seeing flying hub caps, pie pans, and Jell-O molds instead of saucers. One of the magazines devoted an entire issue to “Flying Saucers: The Untold Story.” It began with a summary of saucer sightings from earliest times to the present and ended with plans for a saucer detector. I built a detector, but only for the sake of scientific inquiry. I didn’t expect it to detect anything. I was a skeptic and a realist. When I finished the detector, I was proud of my work, of course, and, full of enthusiasm, I brought it up from the cellar to show it to my parents. I brought the magazine, too, so that they could see how well I had reproduced the detector pictured there, which had been built by professionals who had at their disposal professional-grade tools, a fully equipped workshop, and a staff of assistants. Dudley Beaker was visiting when I came up from the cellar. He and my parents looked the detector over, and I explained what it was supposed to do. My parents admired it, as parents will. They praised my effort and execution, just as they would have if I had made a painting, written a novel, or cleaned my room. Mr. Beaker, however, took it upon himself to go further. He had to consider the worthiness of the underlying goal. “I’m beginning to think that the human race will never grow up,” he said. “Huh?” I said. “People still have a need to believe in things.” “Yeah, I guess so,” I said. “They won’t accept ideas based on logic and evidence —” “Like what, Dudley?” asked my mother. He said, “Oh, quantum physics or evolution, for example, or the dignity of labor —” “I worked pretty hard on this,” I said. Ignoring me, he continued: “— but quite a lot of them do believe in God, and astrology, and flying saucers.” “One of the articles traced saucer sightings back to prehistoric times,” I said. “Stop and think a minute,” said Dudley. “If there were sightings in prehistoric times, how could we know about them?” “Well —” “Do you know what prehistoric means?” “Yeah,” I said, “‘before recorded history’—” “Yes, and —” “— but you know that’s not accurate.” “— and — but — what?” he spluttered. Having made a start, I plunged on, and to my surprise, I discovered as I spoke that I knew more than I realized, that in reading about flying saucers I had actually picked up something that might be true. “It would be accurate to say ‘preliterate,’” I said, “but it isn’t accurate to say ‘prehistoric,’because they recorded history.” “Oh? And how did they do that?” he asked. “Cave paintings,” I said. “Really?” said my mother. “That’s fascinating. They kept their history in cave paintings? Why did they paint in caves?” “Well, they lived in caves,” I said, guessing. “And caves are a safe place to work, where the painters wouldn’t be interrupted by saber-toothed tigers, and other people wouldn’t be criticizing them all the time.” “Are there flying saucers in these paintings?” asked my father. “You can judge for yourself,” I said. I flipped the magazine open to the cave paintings. Mr. Beaker took one look, shook his head, chuckled, and said, “You know, flying saucers are presumed to be ships from other worlds, and in a sense this is true, since most of them come from —” He paused and took his pipe from his pocket, and then finished with a sneer in his voice: “— the world of the imagination.” Dudley would have called himself a realist, and he would have been proud to claim the title, but I think that he was a realist only by default, because he was a person who had come to mistrust and even fear his imagination. He had become one of those people who prefer the examined life to the imagined one, who disparage that alternative world where I live so much of the time, the world in which survivors of prisons and concentration camps dwell while they endure their trials because it is a place where they can keep self-respect alive, and thought, and will, and hope. Mr. Beaker had driven me there. When I had looked at the cave paintings earlier I hadn’t been able to see anything that looked like a flying saucer, but now I could, because now, inspired by a desire to annoy Dudley Beaker, I believed. |
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Y
LITTLE AUDIENCE was receptive, even appreciative, and my heart was warmed
by their attention. We talked for a while. Lou explained
to Elaine several times that she didn’t have to be concerned about having
missed the earlier episodes. Albertine did a hilarious impression
of Mr. Fillmore. Elaine laughed radiantly and crossed and recrossed
her legs, but when she told us that she worked in public relations there
was something about the way she smoothed her skirt and clasped her hands
on her knee that made me think that, perhaps, she was not being quite honest.
I think we all wanted to stay up late, talking and drinking till dawn,
but suddenly we discovered that we were tired, and so, like grownups, we
went to bed.
I LAY IN THE DARK feeling miserable. I twisted this way.
I twisted that way.
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LEAVING SMALL’S
HOTEL | CHAPTER 7 | CONTENTS
PAGE
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DO YOU HAVE YOUR COPY? Leaving Small’s Hotel is published in paperback by Picador, a division of St. Martin's Press, at $14.00. You should be able to find Leaving Small’s Hotel at your local bookstore, but you can also order it by phone from: Bookbound at 1-800-959-7323You can order it on the Web from Amazon.com Books.
Copyright © 1998 by Eric Kraft Leaving Small’s Hotel is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author's imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. Leaving Small’s Hotel was first published on May 11, 1998, by Picador USA, a division of St. Martin’s Press, 175 Fifth Avenue, New York, New York 10010. For information about publication rights outside the U. S. A., audio rights, serial rights, screen rights, and so on, contact Alec “Nick” Rafter at Manning & Rafter Advertising, Promotion, Public Relations & Used Cars. |
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THE PERSONAL HISTORY
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