The Peter Leroy Television Series Pilot
Chapter 14, I Have Met the Enemy, in which Peter fears that it really is all his fault
by Eric Kraft
Peter Leroy on TV

In Babbington, the series will run exclusively on WCLM-TV.
However, in the real world the television rights are available.
Contact:
Graham Leader




 

EXT. A SHORE ROAD. ANYWHERE. DAY.  Albertine and Peter driving along in a Studebaker convertible, Peter at the wheel.
PETER
My darling, we’re on our way.
ALBERTINE
(delighted)
Making our getaway.
PETER
And soon we’ll be happy . . . somewhere else . . .
He is forced to bring the car to a screeching stop when they come to an enormous pile of sand, blocking their way.
ALBERTINE
(disappointed, but not entirely surprised)
Oh . . .
PETER
What the hell is this? 
ALBERTINE
A very big pile of sand.
Peter gets out of the car, astonished by this pile of sand.
ALBERTINE (CONT’D.)
But, on a metaphorical level, it represents all the mistakes we’ve made. 
In a take-charge manner, Peter strides to the trunk, flings it open, and roots around in it for something.
ALBERTINE (CONT’D.)
There they are, heaped upon the road ahead of us, the sands of error . . . 
Peter slams the trunk shut and strides forward, carrying a child’s tiny toy shovel.
ALBERTINE (CONT’D.)
. . . blocking the way.
Peter digs furiously, determined to get past this pile of sand and on to a bright future.  He sees a large shovelful of sand being tossed onto the pile from the other side.
PETER
(angry, calling to the unseen shoveler)
Hey!  Hey, cut that out!
Another large shovelful of sand is tossed onto the pile.
PETER
What the hell are you doing?
Peter walks around the pile, carrying his little child’s shovel as if it were a weapon, to see who is throwing sand onto the pile, and to do battle with him if necessary.
There, on the other side of the pile, is a BIGGER PETER, adding sand to the pile, using a really big shovel.
BIGGER PETER
(sneering, challenging)
You want to escape?
PETER
Um . . . get away . . . from it all.
BIGGER PETER
(brandishing the shovel)
Over my dead body.
The alarm clock rings.  It’s a loud, jarring note. 
CUT TO:
INT. PETER AND ALBERTINE’S BEDROOM. EARLY MORNING. Peter and Albertine both snap bolt upright.  The day must begin. 
CUT TO:
EXT. THE SMALL’S ISLAND DOCK. MORNING. The three guests are preparing to board the “launch.”  DICK and JANE have checked out.  They’re saying goodbye to Albertine, and they’re genuinely reluctant to go.  Peter is putting their bags on board.  As he works, he overhears their goodbye.  So does LOU.  Lou has a duffel bag over his shoulder.
JANE
Oh . . . I really don’t want to go.
DICK
(comforting her)
We’ll be back in October.
JANE
(surprised, pleased)
We will?
DICK
I’ve already made the reservation.
(to Albertine)
Thanks for everything.  Staying here has really meant something to us.
JANE
(as she leaves)
We’ll see you in October!
ALBERTINE
(muttering to herself)
If the place is still standing.
CUT TO:
EXT. BOLOTOMY BAY. MORNING. Peter at the wheel of the “launch,” taking the guests to Babbington.  Dick and Jane are sitting in the bow with their arms around each other.
LOU
(nudging Peter)
You should be flattered.
PETER
Flattered?  Why?
LOU
They’re experiencing a sense of loss.
PETER
And the flattering part?
LOU
They were happy.  They’ll remember it.
PETER
(imitating Jane’s voice)
Honey, remember that little hell-hole with the leaking roof and dying boiler?
LOU
(the philosophical bartender)
We must celebrate the ends of things, or there is no rhythm to our lives.
PETER
(as if suddenly cheered)
You’re right, Lou.  About the ends of things.  “This, too, shall pass.” . . . Or as Baldy the Dummy likes to put it, “Cheer up!  Nobody lives forever!”
Lou laughs; he really thinks Peter is a funny guy.
CUT TO:
EXT. BABBINGTON TOWN DOCK. A FEW MINUTES LATER.  More goodbyes.  Lou gives Peter a hearty both-hands handshake. 
LOU
See you later, buddy!
PETER
When do you want me to come get you?
LOU
Don’t worry about me.  I’ll get a ride.
Lou hops onto the dock, and Peter heads back to the island.
CUT TO:

Candi Lee Manning and Alec "Nick" RafterHere are a couple of swell ideas from Eric Kraft's vivacious publicist, Candi Lee Manning.
 

You'll find more swell ideas from Candi Lee here.

 
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Copyright © 2002 by Eric Kraft
Registered with the Writers Guild of America East May 23, 2002 

The scripts for The Personal History, Adventures, Experiences & Observations of Peter Leroy Television Series are works of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. 

All rights reserved. No part of this teleplay may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. 

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.

 
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LITTLE FOLLIES
HERB ’N’ LORNA
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WHAT A PIECE OF WORK I AM
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