Inflating a Dog Screenplay
Chapter 28: Mr. Yummy (in which chance delivers a gift)
by Eric Kraft
Inflating a Dog on Film

The screen rights are available.
E-mail Alec “Nick” Rafter.

EXT. ARCINELLA’S SLIP. The crew is closing up at the end of the season. There’s a chill in the air.
ADULT PETER (V. O.)
We could feel the end of summer coming.  School would be starting soon.  The season was over.  We began preparing Arcinella for the winter . . .
PETER
(secretly, to Patti)
She’s sinking faster than ever.
PATTI
Is there anything you can do?
PETER
(hopelessly)
I don’t think so.  While she’s sitting here . . . and we’re in school . . . she’s going to sink.
ADULT PETER (V. O.)
Then chance dropped a gift in our laps.
A bakery delivery truck pulls up. On the side is the slogan “Here comes something yummy!” The deliveryman gets out and stands on the bulkhead for a moment, watching Patti and Peter, and then he clears his throat and asks . . .
MR. YUMMY
What are you doing?
PETER
(recognizing a sucker)
Getting her ready for the winter.
MR. YUMMY
Oh.
(trying to sound only mildly interested)
Any boats like this for sale?
The smallest of grins forms on Peter’s face.
FREEZE FRAME.
ADULT PETER (V. O.)
“Any boats like this for sale?” . . . You may think that I said to him . . .
RESUME.
PETER
(frankly)
Oh, sir, you wouldn’t want a boat like this, because this boat is sinking.
FREEZE FRAME.
ADULT PETER (V. O.)
. . . but I didn’t.
RESUME.
PETER
(chuckling indulgently)
Well . . . first of all . . . there aren’t any boats like this.
MR. YUMMY
Huh?
PETER
I suppose one clam boat looks pretty much like another . . . but this boat is special.
MR. YUMMY
(not wanting to offend)
Oh, yeah, sure.  I didn’t mean . . .
PETER
After owning Arcinella, I couldn’t even imagine owning another boat.
MR. YUMMY
She’s something all right.
PETER
(with a sigh)
I just wish I could keep her.
MR. YUMMY
(hopeful)
You can’t keep her?
PETER
Well . . . my girlfriend thinks I spend too much time with the boat and not enough with her.
PATTI
(picking up on it)
I said to him, I said, “Pete, you gotta choose.  It’s that boat or me.”
MR. YUMMY
(gives Peter a wink)
Hey, if I was you I’d sell the boat.
PETER
I . . . I . . . I just can’t.
MR. YUMMY
Why not?
PETER
She just means too much to me.
(gives Arcinella a look)
Isn’t she a beauty?  If she were yours, would you sell her?
MR. YUMMY
In your position . . .
PETER
(faking ignorance)
Huh?
Mr. Yummy raises his eyebrows and nods in Patti’s direction. Patti has folded her arms and is stamping her little foot like Olive Oyl in an old Popeye cartoon.
PETER (CONT’D.)
Oh.  I see what you mean.
(to Patti, pleading)
Do I really have to sell her?
PATTI
(almost overplaying it)
I already told ya.  It’s her or me.
SOUND DOWN while Peter and Patti debate the her-or-me issue.
ADULT PETER (V. O.)
I knew we had him.  All we had to do was reel him in, the way Captain Macomangus reeled us in, and we did.
Peter finally gives in and begins negotiating with Mr. Yummy, eventually coming to a handshake on the deal.
PETER
Of course, you’ll somebody who really knows boats to look her over . . . unless you really know boats yourself.
MR. YUMMY
Me?  All I know is bread and muffins!  But I’ve got a couple of partners, and one of them really does know boats.
That is not what Peter had hoped to hear.
CUT TO:
EXT. A STREET IN BABBINGTON. Patti and Peter are walking to Peter’s house.
PETER
All I have to do now is persuade my mother to abandon the one success she’s had in her life.
PATTI
Let me do it.
PETER
I should be the one.  She’s my mother.
PATTI
She’s my friend.  Let me do it.
PETER
Okay.  You do it.
CUT TO:
INT. THE LEROY KITCHEN. Patti and Peter enter through the back door.
ADULT PETER (V. O.)
As it turned out, neither of us had to do it . . .
ELLA
(singing out)
Peter! Patti! I’ve had the most wonderful idea . . .
(showing them dozens of sketches of bouffant hairdos)
Ella’s Moderne Stylizing!  What do you think?
PETER
What about . . . Ella’s Lunch Launch?
ELLA
Oh, that. . . . I don’t know. . . . It was a great summer, it really was, but is next year going to be as good? . . . Back and forth on the bay, every single day, day in and day out, day after day, seven days a week?  This summer it was an adventure, but next summer it might be just a job.  You know what I mean?  I was thinking maybe we could sell the boat . . .
CUT TO:
INFLATING A DOG SCREENPLAY | CONTENTS | CHAPTER 29

Candi Lee Manning and Alec "Nick" RafterHere are a couple of swell ideas from Eric Kraft's vivacious publicist, Candi Lee Manning.
 

You'll find more swell ideas from Candi Lee here.

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Copyright © 2001 by Eric Kraft
Registered with the Writers Guild of America East in 2001 

The screenplay for Inflating a Dog is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. 

All rights reserved. No part of this teleplay may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. 

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.

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LITTLE FOLLIES
HERB ’N’ LORNA
RESERVATIONS RECOMMENDED
WHERE DO YOU STOP?
WHAT A PIECE OF WORK I AM
AT HOME WITH THE GLYNNS
LEAVING SMALL’S HOTEL
INFLATING A DOG
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