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Chapter 1
September 10
The Daughter of Mr. Yummy
An author ought to consider himself, not as a gentleman who keeps a
private or eleemosynary treat, but rather as one who keeps a public ordinary,
at which all persons are welcome for their money.
Henry Fielding, Tom Jones
|
STOOD AT THE WHEEL of the leaking
launch, approaching the dock on Small’s Island and the end of my fiftieth
year, throttling down, gauging the speed of my approach and the severity
of the impact if the engine should stall when I shifted it into reverse
to bring the launch to a halt. I expected the engine to stall when
I put it into reverse, because it had been doing that lately, so when
it stalled I wanted to be moving slowly enough to drift into the dock without
doing too much damage to the launch or the dock or the guests, but I was
trying not to look concerned, since I have learned during my fifteen years
as assistant innkeeper at a small hotel on a small island that it isn’t
a good idea to upset the guests before they even set foot on the dock.
I had three passengers in the launch, a disappointing
number. Three would have been a disappointing number at any time,
but it was particularly disappointing on this trip because Albertine had
advertised my marathon reading of Dead Air in the hope that she
might attract a crowd. Actually, to be precise about it, we couldn’t
have accommodated a crowd, since we have only thirteen rooms and three
cottages, but she — well, we, to be precise about it — had hoped to draw
a full house, something we haven’t seen in years.
Ahead, I spotted Albertine running along the path from
the hotel to greet the guests when the launch struck the dock. I
eased the throttle down another notch, came slowly to the dock, and reversed
the engine. It stalled.
“Grab hold of something,” I said in the even tone of an
unflappable captain. “We’ll be coming into the dock.”
If you had been aboard the launch with the other passengers,
you would have thought that everything was as it should have been, that
Cap’n Peter probably always brought the launch into the dock this way.
I’ll bet you would have. Of course, when the launch hit the dock
and both shuddered, and you were sent staggering and grabbed for the nearest
thing that would help you keep your feet, and the launch rebounded back
toward Babbington whence you had so recently come, you might have had second
thoughts about your captain, but if you had looked his way you would have
seen him smiling, waving to Albertine, preparing to throw her a line, and
the twinkle in his eye would have convinced you that the rough landing
had been nothing more than a matter of style. It would have.
I’ll bet it would have.
I threw the line to Albertine, and she snubbed it around
a piling and arrested the rebound. She rolled her eyes at me, I shrugged
(but not enough for you to have noticed), and she extended a hand to the
nearest of the passengers. When they were all safely off the boat,
she delivered a speech of welcome, her usual speech of welcome, with, as
usual, a few impromptu additions and alterations.
“Welcome to Small’s,” she said. “It’s a pleasure to have
you here. I’m Albertine Gaudet, the Innkeeper.
“I hope your journey was pleasant — or, if you came
on the Long Island Rail Road, I hope that at least it wasn’t too unpleasant.
You have my sympathy. I’ve always thought that it would be nice if
there were a private Small’s Hotel car, with cocktails and swing music,
at least during the summer season, but — well — there isn’t. I apologize
for the launch too, by the way. We call it a launch, but it’s really
just an old boat, isn’t it? We used to bring
people from the mainland in a handsome old Chris-Craft
runabout. You would have liked that. It was a fine boat,
and everyone loved it, especially my husband, Peter — whom you’ve met —
the launch captain, formerly the Chris-Craft captain — and also Assistant
Innkeeper — but it was expensive to maintain and so we sold it for — well
— for a nice piece of change, though not as nice a piece of change as we
had hoped it would bring us and not as much change as we needed.
“Well, anyway, I hope that while you are here you will
consider yourselves my guests. Of course, you’re paying for the privilege
of being my guests, which might seem to put us in a relationship rather
less intime than that of hostess and guest, but don’t we all, in
one way or another, wind up paying our hosts for their hospitality?
If we’re invited to dinner, we’re expected to pay with conversation, aren’t
we? Some gossip? Maybe even a little wit? And if we’re
invited to spend the night — well.
“I hope you will find your accommodations satisfactory.
All of the hotel’s thirteen guest rooms are located on the second floor,
and every room has a view of the bay, as you might expect in a hotel on
an island as small as this one. (The third floor, by the way, is our living
quarters. Enter only if invited, please.) If you’re not happy
with your room, just let me know. Obviously, we have more rooms than
guests — currently, at least — so it will be a simple matter to move you
around until you end up wherever you want to be. If you’re not happy
in the main building, you might like to take a look at the cluster of cottages
at the water’s edge. The rates for the cottages are a little higher
than for rooms in the hotel because the cottages are larger than the rooms
in the hotel, and because they offer more privacy, and also because we
transported them to the island from the mainland at great expense of money
and labor. My husband will be glad to tell you the story. Just
ask.
“While I’m on the subject of privacy, let me assure you
that you are not required to be sociable while you are here. We will
not urge you to participate in any group activities. There are no
group activities. Well, none except for the readings that Peter will
be giving, but I assume that you’ve come for those, so they don’t really
count as group activities, not in the same way. I wouldn’t think
so. They’re a special case. A category of their own. Sui
generis. Other than that, though, no group activities.
Except for the morning mud wrestling. Just kidding. Really,
no group activities.
“You are not, of course, enjoined from organizing group
activities on your own, if you feel you must, but on the whole we assume
that you have come here to be alone and to be left alone. While you
are at Small’s, you are an island dweller, an isolate, and I urge you to
live like one. Take refuge in our old hotel, on our island. Absent yourself
from the world awhile. Relax. Go rowing or sailing. We
have a rowboat and four small catboats for the exclusive use of our guests
— but — ah — you should know that the
rowboat and three of the catboats leak — a little — not too much.
First come, first served. If you don’t like boats — and it’s surprising
how many people who come here don’t like boats — you can perambulate
the shoreline, take a swim, sit in the lounge and read, or do nothing more
than sit on the dock — though I’d watch out for splinters and nails — dabble
your feet in the water, watch the moonlight play on Bolotomy Bay, and let
the world rattle on without you for a while.
“Of course, if you really want to be left alone, you should
move into one of the cottages. They’re not that much more expensive,
and they’re very romantic, the perfect place for a honeymoon, an anniversary
weekend — or a discreet affair, for that matter. If any of you decide
that you’d like to move to one of the cottages, just let me know.
“All your meals are provided, of course,
and that includes midnight snacks. In a small refrigerator in the
kitchen you will find ‘leftovers.’ We call them that, but I assure
you that our chef makes these ‘leftovers’ fresh daily, specifically for
snacking. I want to make it clear that although they
resemble
leftovers, they are deliberately made to resemble leftovers
and are not actually left over from anything. (Some people have a
very difficult time understanding this concept, which is why I’m explaining
it, and I ask you please not to be offended by the explanation if you understood
the concept before I began explaining it.) You may tiptoe from your
room in the middle of the night to snack on these goodies — indeed you
are encouraged to tiptoe from your room in the middle of the night
to snack on these goodies, for if you do not, they will just sit there
in the refrigerator and go uneaten, and by the next day they will actually
have become leftovers, and then what would we do with them?
“Well! That’s everything, I think. Go on up
to the hotel, why don’t you, and Peter and I will follow with your luggage.”
The guests started on their way up the path toward the
hotel, and Albertine and I begin piling their bags onto a couple of our
red wagons, the kind that Dick and Jane used to pull in primers.
“What have we got?” Albertine asked.
“Well, the couple — ” I began.
“The fun couple, Dick and Jane.”
“You’re kidding.”
“Not their real names,” said Albertine with a wink and
a smile.
“Ohhh,” I said, raising an eyebrow and slipping into what
I like to call my Franche accahng, “hohn-hohn-hohn.”
“I told them that we are very discreet.”
“Oh, we are, we are.”
“And that if they want to be called Dick and Jane, we
will comply.”
“Oh, we will, we will.”
“They’re likely to be easy guests.”
“The grumpy guy, on the other hand — ”
“Oh, great,” she said. “Mr. Abbot. Cedric
R. Abbot. ‘Call me Lou,’ he said on the phone. ‘Everybody does.’
But you’re already calling him the grumpy guy?”
“I’m afraid so. Maybe I’m wrong, but I think he’s
one of those grumpy guys who’s always got a smile on his face, but when
you look at that smile you know it’s a lie — you know the smile I mean?”
She smiled the very smile I had in mind, the smile that
she uses when her picture is being taken in spite of her having made it
perfectly clear that she does not want her picture taken.
“Uh-oh,” I said, responding to the smile. “What
went wrong while I was gone?”
“I’ve had some adventures in repairs and maintenance.”
“What now?”
“The boiler again.”
“Did you call the Tinkers?” I asked. For nearly
all of the fifteen years that we have been running Small’s Hotel, we have
turned to the Three Jolly Tinkers when we’ve needed major repairs.
Sometimes the Jolly Tinkers have fixed things; sometimes they have not;
and sometimes the repairs undertaken by the Jolly Tinkers have become continuing
projects, and some of those projects have been in continuous operation
for nearly the entire fifteen-year span of our relationship without showing
any signs of coming to a successful conclusion — repairing the boiler,
to name a single example.
“I did,” she said, “but they can’t come out until tomorrow,
because —” She stopped.
“Because what?” I asked.
She turned toward me. There was a tear in her eye.
“Because the Big Tinker died,” she said.
“Oh, no.”
“There’s a curse on this hotel,” she said. “It’s
a nightmare.”
I said nothing to that. We hauled the luggage to
the hotel, and I distributed it to the guests’rooms.
IN THE EVENING, I had one drink too many before dinner, and, after dinner,
in the lounge, I began the countdown to my fiftieth birthday by reading
the first installment of Dead Air. I began by saying, “There
are two epigraphs at the start of Dead Air. The first comes
from the correspondence of Denis Diderot, but I found it in P. N. Furbank’s
biography of Diderot, so I’m going to read it as I found it:
It was [Diderot’s] impression . . . that every tendency was to be found
in the heart: noble, base, healthy, perverse, exalted, lustful and homicidal.
. . . This, he once told Mme Necker, was the ësecret history’ of the
soul. ëIt is a dark cavern, inhabited by all sorts of beneficent
and maleficent beasts. The wicked man opens the cavern door and lets
out only the latter. The man of good will does the opposite.’ |
The second is from The Two Thousand and Six Month Man by Carl
Reiner and Mel Brooks:
INTERVIEWER: Do you remember the national anthem of your cave?
THE 2000-YEAR-OLD MAN: I certainly do. I’ll never forget it.
You don’t forget a national anthem in a minute.
INTERVIEWER: Let me hear it, sir.
THE 2000-YEAR-OLD MAN (sings): Let ’em all go to hell . . . except
cave seventy-six! |
And now, ‘The Daughter of Mr. Yummy,’episode one of Dead Air.” |
(If
you are about to begin
your reading of Leaving
Small’s Hotel here, I
urge you to read the
preliminaries
and the preface first, because
they are integral parts
of the work. —Mark
Dorset)

|
|
NE
NIGHT, late in the spring, thirty-eight years ago, when all of the summer
and most of my life lay ahead of me, fertile as a field growing wild, five
of us were spending the night in my back yard: Rodney Lodkochnikov, Marvin
Jones, Rose O’Grady, Matthew Barber, and me. Rodney was known as
Raskol, and Rose called herself Spike. The rest of us used our real
names. We were sitting around a fire toasting marshmallows.
We had been talking about the difference between the ideal
and the actual—along the lines of “why don’t the insides of the frog they
give you in science lab match the drawing in the book?” In the aftermath
of that discussion, a silence had fallen. Within it, we toasted the
marshmallows and waited for a new topic to suggest itself.
Matthew’s marshmallow burst into flame. He pulled
it from the fire and, as he rotated it to char it on all sides, asked,
“Can you imagine being someone else?”
“Who?” I asked.
“Nobody in particular. Just not being yourself.
Being someone else.”
“Yeah, but who?” asked Spike.
“Anyone,” said Matthew. “Someone who doesn’t exist,
but might have existed. Somebody new.” He blew the flame out
and began waving the marshmallow in the air.
“Come on,” said Raskol, stirring the fire.
“Okay, okay,” said Matthew. “I mean, what if some
other sperm had reached your mother’s egg before the one that did?”
“What are you getting at?” demanded Spike. She clenched
her jaw and squinted at Matthew.
“Well,” said Matthew, “what I mean is —”
Spike interrupted him. “What I mean is, are you
suggesting something about my mother?” She leaned toward Matthew.
The fire separated them, but even so Matthew pulled away.
“No,” he said. “No, of course not. I mean,
I am suggesting that she gave birth to you —” He paused, smiling,
hoping for a laugh, but Spike didn’t even return the smile. “— and
to do that she had to have some sperm —”
“Do you want a fat lip?” asked Spike.
“No, I do not want a fat lip, thank you.”
“Then stop saying things about my mother.”
“I’m not saying anything about your mother. I mean,
except for —”
Spike leaned closer. The flickering flames lit her
from below. “I’ll defend my mother’s good name against all comers,”
she said.
“I’m sure you would,” said Matthew.
Spike squinted at him again. “Are you suggesting
that it needs defending?” she asked.
“Oh, come on, cut it out,” said Marvin.
Spike grinned and shrugged and said, “Okay, okay.
I was only kidding.” She tossed some twigs into the fire so that
it flared dramatically, shrugged again, and added, “For all I know, I’m
the milkman’s daughter.
The rest of us thought about this in silence for a moment.
Mr. Donati, the milkman in Spike’s part of town, was a short, bald man,
heavy, always sweating, with black hair everywhere. Spike looked
nothing like him.
I said, “Nah.”
Raskol said, “Not a chance.”
Marvin said, “Highly unlikely.”
Matthew squirmed in place and scratched his ear.
When he had something to say he could not allow himself to say nothing,
however prudent that might be. Finally, he said, “Mr. Yummy.”
None of the rest of us said a thing. We studied
Spike, sidelong, and, trying not to let it show, compared her with Mr.
Yummy.
He had been delivering the Yummy Good brand of baked goods
in Babbington, where we lived, for as long as any of us could remember.
His route took him around Babbington and round and round again, and because
he worked at his own pace, no one could predict when he would arrive with
his tray of Yummy Good goods. His appearance at the back door, rap-tap-tapping
in a jazzy way he had, was always a pleasant surprise. Whenever my
mother heard his rapid tapping, she would call out, “Just a minute!” and
run into the bathroom to fix her hair and lipstick. His customers
called him Mr. McDougal, but their children called him Mr. Yummy.
He was ageless, and he was handsome. He had a big smile and freckles,
like Spike.
“Now you’re talking!” she said. “Look at these freckles.
Look at this smile.”
She smiled her smile, and in the firelight the truth gleamed.
Spike was the daughter of Mr. Yummy. There could be no doubt about
it.
“I never noticed before,” I said, shyly.
“Maybe you never saw me in the right light,” she said,
and that must have been the case, because after that night she became,
in my mind, the daughter of Mr. Yummy, and Mr. Yummy became the father
of all those things in life that I misunderstood, a role that he still
plays. |
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DO YOU HAVE YOUR COPY?
Leaving Small’s Hotel is published in paperback by Picador, a
division of St. Martin's Press, at $14.00.
You should be able to find Leaving Small’s Hotel at your local
bookstore, but you can also order it by phone from:
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Copyright © 1998
by Eric
Kraft
Leaving Small’s Hotel is a work of fiction. The characters, incidents,
dialogues, settings, and businesses portrayed in it are products
of the author's imagination and are not to be construed as real. Any
resemblance to actual events or persons, living or dead, is entirely coincidental.
All rights reserved. No part of this book may be reproduced or transmitted
in any form or by any means, electronic or mechanical, including photocopying,
recording, or by any information storage and retrieval system, without
permission in writing from the author.
Leaving Small’s Hotel was first published on May 11, 1998, by
Picador USA, a division of St. Martin’s Press, 175 Fifth Avenue, New York,
New York 10010.
For information about publication rights outside the U. S. A., audio
rights, serial rights, screen rights, and so on, contact Alec
“Nick” Rafter at Manning & Rafter Advertising, Promotion, Public
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