cover of the Picador USA edition

Inflating Serial Cover

YOU CAN READ
THE FIRST HALF OF THE BOOK
HERE,
ONLINE, ONSCREEN,
OR
YOU CAN ORDER THE
PICADOR USA EDITION
AT
AMAZON.COM
OR
BARNES&NOBLE.COM
OR
YOU CAN DOWNLOAD
THE COMPLETE TEXT
AS AN eBOOK
AND
READ IT IN BED
OR
YOU CAN ORDER THE
AUDIO BOOK
AND LISTEN
TO KRAFT READING
THE COMPLETE TEXT
TO YOU.


eBOOK PAGE

Peter Leroy Wearing Headphones
CHAPTER 14 SAMPLE
AUDIO BOOKS PAGE


Chapter 14
An Aside on Blow
 

THE ENGLISH LANGUAGE is a distributive language, one that conveys meaning partly through the distribution of discrete words within a sentence, as distinguished from synthetic languages, such as Latin, in which the forms of the words themselves contribute more to the  grammatical component of meaning than does their placement within a sentence.  Because English is also a singularly acquisitive language, its lexical corpus contains many words borrowed from other languages, including the synthetic ones (borrowed in the way that a neighbor “borrows” your hedge clippers and returns them, if ever, only years later, after they have been nicked, battered, bent, and otherwise neighborized almost beyond recognition).  As a result, modern English has many pairs of nearly synonymous words with one member that is homegrown or, to use a borrowed word, native, and the other borrowed from a synthetic language.
    Among these adoptive siblings are many pairs in which an Anglo-Saxon verb composed of a base word and a separable particle is matched with a Latinate verb composed of a root form and an inseparable affix.  The affix may be a prefix, such as in-, or a suffix, such as -ize.  The particle is a small word, such as up or off, that resembles a preposition but does not function as a preposition in a sentence.  Like the sidecar on a motorcycle, the affix is bound to the Latin root to which it is attached and cannot stand on its own.  The English base-and-particle combination, sometimes called a phrasal verb, is more flexible.  Within a sentence the particle may be separated from the base by other words; the particle functions not like a sidecar but like a sidekick, an associate of secondary degree, a squire who ordinarily rides beside his knight but can, if required to do so, move a few words away without falling down.
    Consider inflate, which came into English from Latin, arriving in inflected form, with the prefix in- an integral part of it.  The older English equivalent, closer to Anglo-Saxon, is the phrasal verb blow up, which endures, of course.  Notice that the particle up is a separable element:

That odd little man actually inflated a dog.  I tell you he blew it up, right before my very eyes!
   We would not say “blew up it,” because we recognize that up is a part of the verb, the equivalent of a suffix, not a preposition; up has no object of its own, but blew up does have an object, it.  The object stands in the sentence like a tree in a path, but since the root and particle are separable, they move to either side and pass it by. 
    So we arrive at fellatio.  The Anglo-Saxon equivalent is blow job.  The corresponding verbs are fellate and blow, the former a back-formation from fellatio and the latter the surviving base word of a phrasal verb, blow off, soldiering on without its particle.  Neither appeared in print until relatively recently.  Hugh Rawson, in Wicked Words: A Treasury of Curses, Insults, Put-Downs, and Other Formerly Unprintable Terms from Anglo-Saxon Times to the Present, cites as the earliest reference to their use a 1939 glossary of prostitutes’ and criminals’ argots in which the phrasal verb blow (someone) off is defined as “to hold intercourse through the mouth.”  It seems reasonable to assume that blow in this sense was established in the vernacular long before it appeared in print, and that blow job came into oral use soon after blow did, but Rawson found no citation for it until the 1975 Dictionary of American Slang—with one exception. 
    The exception was an entry in the 1953 Thesaurus of American Slang.  There blow job was defined as “jet plane,” a definition illustrated by a passage from the July 26, 1945, issue of the San Francisco Examiner: “A P-59 jet-propelled Airacomet, affectionately called the ‘blow job’ by flyers, will make several flights . . . in 1946.” 
    Dawson characterizes this definition as “then-current, now-archaic. ”  Oh, sure.  I would be willing to bet that it was a joke.  Picture this: One night, we come upon a flock of flyers sitting in a bar getting confidential over a few beers, trying to find the words to tell one another how they feel when they open the throttle on that P-59, and one of them, franker or drunker than the others, says something like, “I can’t describe it, but I swear it’s as good as a blow job.”  The rest of them crack up, laughing like high school boys in a locker room, over a joke that they can’t share with anyone who hasn’t experienced both a blow job and the thrust of a jet at full throttle.  In time, the usage spreads among those in the know.  When the flyers use their private expression in the presence of an inquiring reporter from the Examiner and see that he doesn’t get it, that he jots it down, all earnestness and incomprehension, they snort and snicker (and the reporter, hearing them snort and snicker, scribbles “affectionately” on his pad), and a day or two later, when they see blow job appear in print, they fall against one another, roaring with the laughter that we use for something a little naughty.
    I sympathize with the naive reporter from the Examiner, because when I first heard blow used in its sexual sense my own inexperience led me to misinterpret it.  I recall hearing, in a whispered exchange in a locker room, “she blew me.”  Something in the attitude of the whisperers, some snickering or a glance around to see if anyone was listening, was enough to make me realize that the reference was to a sex act, and some contextual clue that I no longer remember made me understand that it was oral-genital sex, but how it was performed I did not know. In my ignorance I came to imagine that “she blew me,” was the equivalent of “she blew me up.”  I supposed that when, someday, I got blown, a girl would put my penis to her mouth like the neck of a balloon, and inflate it.  My penis was, I well knew, an erectile organ; apparently, on the evidence of this overheard remark, it was inflatable, too, though mine had never yet been blown up.  Perhaps, when that girl, whoever she might turn out to be, had inflated it as far as she dared, she would release it, and the air—her breath—would be expelled in a great exhalation, a rushing sough of pleasure, like the hot gas blown out the back of a P-59.
 

Hi! I'm Candi Lee Manning, Eric Kraft's bubbly publicist, and I just bet that you're wondering how you can support this work!
Well, here's a swell idea:
Add yourself to our e-mailing list.
We'll send you notifications of site updates, new serials, and Eric Kraft's public lectures and readings. Just fill in this form and click the send-it button.
 
NAME
E-MAIL

You'll find more swell ideas from me, Candi Lee, here.


Copyright © 2001 by Eric Kraft

Inflating a Dog is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. 

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. 

Picador USA will publish Inflating a Dog in the summer of 2002.

For information about publication rights outside the U. S. A., audio rights, serial rights, screen rights, and so on, e-mail Kraft’s indefatigable agent, Alec “Nick” Rafter.

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.


ABOUT THE PERSONAL HISTORY
COMPONENTS OF THE WORK
REVIEWS OF THE ENTIRE WORK
AUTHOR’S STATEMENT

LITTLE FOLLIES
HERB ’N’ LORNA
RESERVATIONS RECOMMENDED
WHERE DO YOU STOP?
WHAT A PIECE OF WORK I AM
AT HOME WITH THE GLYNNS
LEAVING SMALL’S HOTEL
INFLATING A DOG
PASSIONATE SPECTATOR
MAKING MY SELF
A TOPICAL GUIDE

CLASSIFIEDS
SWELL IDEAS

COMPLETE SITE CONTENTS
WHAT'S NEW?