cover of the Picador USA edition

Inflating Serial Cover

YOU CAN READ
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eBOOK PAGE

Peter Leroy Wearing Headphones
CHAPTER 22 SAMPLE
AUDIO BOOKS PAGE


Chapter 22
My Father Bets on My Mother’s Horse
 

MY MOTHER, PATTI, AND I crept up the back porch stairs, reluctant to confront the lion in his den.  We paused, and my mother put on a brave smile and crossed her fingers. 
    “You don’t mind going in the back door?” I whispered to Patti.
    “Nah,” she said.  “We’re all in this together now.”
    My mother opened the door and immediately called out brightly, “Hello-ho-ho!  We’re ho-ho-home!”
    We made our way to the living room, where we found my father slumped in his favorite chair, staring blankly in the direction of the television set, where an episode of “Video Rangers” was underway.  This was a locally produced half-hour adventure serial set on a spaceship somewhere in another galaxy sometime in the future.  It was a kids’ show, but my father never missed an episode.  The production values were poor; the budget was tiny; the actors were comically inept.  (The television picture was, of course, black and white, since color television would not be commercially available at a price that a family with my family’s budget could afford for years, but color would not have improved “Video Rangers.”)  Apparently, my father had been sitting in his chair since he got home from work, waiting for his dinner,  consoling himself with beer.  Several empty cans were on the table beside him, and he was drinking another one.  Also on the table were a bag that had held pork rinds, the heel of a wedge of cheese he had found in the refrigerator, and a jar of pickled cherry peppers.  He burped and poked around in the jar, chasing the last of the pickled peppers.
    “I’ll bet you thought we’d never get here,” said my mother.
    My father scowled.  “Where the hell have you two been all this—” he began, and then he turned from the television set and caught sight of Patti, who had entered the room after my mother, followed in turn by me.
    My father’s eyes popped—really, just like the eyes of a cartoon lecher—at least I recall that they did.  He blinked, he licked his lips, and, in my memory, his eyes were bloodshot, bulging, and moist with desire.
    Patti put her hands behind her back, brought her knees together, and bent forward at the waist, playing at being sweet and shy.  “Hi,” she said.  “I’m Patti.  Peter’s friend.”  She fluttered her lashes and added, “Ella’s friend.”
    “Isn’t she cute?” asked my mother.
    She reached into the bag of wrapped clamburgers, pulled one out, and tossed it to my father, as if she were flinging a steak into a cage. Startled from his fixation on Patti, he caught it.
    “Hey—” he began, but then, smelling the burger, he smiled and finished with, “—mmm, clamburgers.”
    A few minutes later we were all eating and, halfheartedly, watching “Video Rangers.”  The dialogue was murmurous and mostly unintelligible, though it rose and fell as the actors overplayed or underplayed their parts, and now and then a word or phrase emerged whole and comprehensible: “anti-gravity drive,” “creatures from another world,” “sabotage,” “the ship.”
    My mother, suddenly eager, said, “That reminds me—Porky White is investing in a new business.”
    “What?” said my father.  “What reminded you?”
    “Huh?  Oh.  ‘The ship.’  One of them said something about ‘the ship.’”
    My father drew his brows together and scrutinized my mother’s expression.  Then, suspiciously and, it seemed to me, enviously, asked, “What sort of new business?”
    “Elegant Excursions.”
    “Elegant Excursions?”  He was mystified.
    “It’s going to be a ship—well, a boat—that takes people on excursions.  Cruises to Hargrove and back.  On the bay.  In the moonlight.”
    “Eating clamburgers?”
    “Oh, no, no.  Hors d’oeuvres.  Canapes.  Little sandwiches on colored bread.”
    My father seemed to recognize a theme.  “What?”
    “He’s going to work up a kind of clam spread.  Cream cheese and chopped clams.”
    “Don’t tell me: the clam spread will come in colors, too.”
    “What a good idea, Bert!”
    “Oh, yeah.  I wonder where I got it.”
    We all ate in silence for a moment.  My mother was uneasy.  I could see that she was searching for a way to take the conversation where she wanted it to go.
    “You know,” she said, “you’ve got to hand it to Porky.”
    “Do I?  Why?”
    “Well, he’s really making a success of that clam bar.”
    “Luck.  Just luck.  Dumb luck, in Porky’s case.”
    “Oh, Bert—”
    “He just happened to get into the clam-bar business at the right time.”
    “I don’t think there has ever been a right time for getting into the clam-bar business.”
    “Sure there is.  There’s a right time for everything.  And Porky just happened to start his clam bar at the right time, just before the clam fad hit.”
    “The clam fad?”
    “Sure.  Clams are the cat’s pajamas now—or whatever it is kids say.” He turned to Patti and with an attempt at an attractive smile asked, “What do you say when something’s the cat’s pajamas—you know, great—terrific?”
    “A pump.  Or a blow—” She caught herself about to say “job” and stopped.
    “What?”
    “—blow—”  She looked to me for help.
    “Torch,” I said, suddenly inspired.  “A blowtorch.”
    “Blowtorch,” said my father, trying it out.  “Clams are a blowtorch—”
    “A real blowtorch,” I said, improvising, showing him how.  “Clams are a real blowtorch now.”
    “Clams are a real blowtorch now,” he said, doing his best to imitate me.
    “You’ve got it Mr. Leroy,” said Patti.
    “A real blowtorch!  Look at us.  We’re the proof of it.  We’re all eating clamburgers.  Q. E. D., right Peter?”
    “I guess so.”
    My father looked at what remained of his second clamburger, sneered at it, and said, as if he were cursing, “Luck.  Dumb luck.”  He chewed.  “It’s just a matter of being in the right place at the right time.”  He swallowed.  “And for some reason that I will never understand, Chester White, Chester White, who wasn’t even in the right line when they were handing the brains out, has developed a knack for being in the right place at the right time.”  He opened another can of beer and took a long swallow.  Shaking his head, he said, “The son of a bitch—pardon my French—the son of a gun is a lucky son of a bitch.”  He took another swallow.  “Some people have luck, and some do not.  He’s got it.”  Another swallow.  “I wish I did.”
    “Wouldn’t it be great if we could find a way to get some of it to rub off on us?” said my mother, dreamily, as if she couldn’t for the life of her think of a way to accomplish such a thing.
    My father gave her a dismissive look and sucked at his beer.  Through the foam on his lips, he said, “Pffff.”
    “I was trying to remember what it is you say about getting a ride on somebody else’s luck.  How does it go, Bert?”
    “Bet on his horse.”
    “Oh, yes.  That’s right.”  She sighed, as if she couldn’t quite see how any of us might get a ride on Porky’s luck.  She took a bite of her clamburger and shot a look at Patti, who brightened.
    “Gee, I might have an idea,” she said.  She seemed ready to go on, but then she shrugged, bestowed on my father her famous pout, and said, “But it’s probably stupid.”
    My father grinned like a boy and waggled his finger at Patti.  “An idea is like a little bird, young lady,” he said.  “You’ve got to give it a push out of the nest and see if it can fly.”
    He pantomimed this, for Patti’s benefit, and my mother, Patti, and I managed somehow not to laugh.
    “Well, okay,” said Patti, as if suddenly shy in the face of such wisdom.  Then, with a here-goes-nothing expression, she pantomimed a fluttering little bird and said, “I was just thinking that maybe we could get a ride on Porky’s luck if we—oh, I don’t know—if we asked him for jobs or something like that.”
    “That’s very good,” said my father, with an indulgent smile.  Pantomiming again he said, “Let’s see it fly.”
    Patti obliged him and fluttered her little hands.  My father locked his thumbs and made his hands flap as if they were the wings of a bird of prey, and suddenly his hands swooped down on Patti’s and grabbed them.
    “Aw, gee, Patti,” he said, almost brutally.  “It didn’t get very far.  I think a nasty old crow got it.”
    Patti almost looked as if she might apologize. 
    “It was too little and too weak,” my father continued.  “Let’s try something bigger and stronger.”  He made another fledgling fly and said, “Suppose we invest in Elegant Excursions, too!”
    My mother, Patti, and I gasped as if astonished by the temerity of this suggestion. 
    “Oh, Bert,” said my mother, “that sounds risky.”
    “Ella, you don’t know anything about it.  I’m going to put in as much as Porky puts in.  There’s no reason why he should make all the money.”  With a wink at Patti, he said, “I’m going to bet on Porky’s horse.”
    Patti smiled winningly, but when my father turned aside to reach for his beer, she rolled her eyes and sneered.

MY MOTHER pulled her old car to a stop at Patti’s house.  She said, as mothers will, or did, “Peter, see Patti to the door.”
    Patti and I walked to the door.
    On the front steps, before Patti went in, she called to my mother, “Good night, Ella!” and then, to me, in a whisper, she said, “Listen, Peter, I think you might be right about the paternity issue.  You’re too nice a guy to be the son of a—a nasty old crow.  Let’s try the experiment again, okay?
    “Well, okay,” I said, trying to seem blasé.  “Sure.  If you want.”
 


If a little voice in the back of your head keeps telling you that you’ve got to find some way to support Kraft’s work on the Person History . . .
Here's a swell idea from Eric Kraft's eternally optimistic publicist, Candi Lee Manning:
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Raise the ambient fictional level of your home with Leroy Lager coasters, Small's Hotel napkins, and Peter Leroy audio tapes! Make big money raising fishworms! Amaze your friends and family! You'll find it all here.

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Copyright © 2001 by Eric Kraft

Inflating a Dog is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. 

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. 

Picador USA will publish Inflating a Dog in the summer of 2002.

For information about publication rights outside the U. S. A., audio rights, serial rights, screen rights, and so on, e-mail Kraft’s indefatigable agent, Alec “Nick” Rafter.

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.
 


ABOUT THE PERSONAL HISTORY
COMPONENTS OF THE WORK
REVIEWS OF THE ENTIRE WORK
AUTHOR’S STATEMENT

LITTLE FOLLIES
HERB ’N’ LORNA
RESERVATIONS RECOMMENDED
WHERE DO YOU STOP?
WHAT A PIECE OF WORK I AM
AT HOME WITH THE GLYNNS
LEAVING SMALL’S HOTEL
INFLATING A DOG
PASSIONATE SPECTATOR
MAKING MY SELF
A TOPICAL GUIDE

CLASSIFIEDS
SWELL IDEAS

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