cover of the Picador USA edition

Inflating Serial Cover

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Peter Leroy Wearing Headphones
CHAPTER 13 SAMPLE
AUDIO BOOKS PAGE


Chapter 13
The Nut and the Slut, Together at Last
 

WHEN WE REACHED MY HOUSE, I headed for the back door, as I always did when I came home from school.  I went up the back steps to the tiny stoop  and turned to find that Patti was standing at the foot of the steps looking hurt.
    “What’s the matter?” I asked.
    “Do you want me to use the back door?”
    “No!” I said, realizing how matters looked to her.  “Of course not.  I’m going to go in this way and open the front door for you.  Okay?”
    “Okay,” she said, and with a smile she bounced off toward the front of the house.
    I let myself into the kitchen and discovered my mother sitting at the dining room table where I had seen her weeping not many days before.  This was not a good sign.  She was bent over some papers on the table; I couldn’t tell what she was doing, but I didn’t like the implications of her posture; it suggested sorrow and despair.  I decided to tell Patti that we were going to have to put the meeting off, and I was making my way through the kitchen toward the front door—well, sneaking through the kitchen toward the front door—when my mother looked up and called out to me in a voice full of hope and joy, “Peter!  You’re finally home!  Come here!  I’ve had a wonderful idea!”
    “I—uh—brought somebody with me—from school,” I said, extending my hand vaguely in the direction of the front door. 
    “Really?  Who is it?”
    “It’s a girl named Patti.”
    “Patti?” said my mother, trying the name out to see whether it belonged to anyone she knew.  “Patti,” she repeated, trying it again, and this time her eyes widened and her eyebrows shot up.  “Patti Fiorenza?” she asked.
    “Um, yes,” I said, not entirely surprised that my mother should know who Patti was.  Why shouldn’t her fame, her reputation, have reached my mother, after all, if everyone else in Babbington knew her, or knew about her, or thought they did?
    “Wow,” she said.  “Where is she?”
    “Waiting at the front door.”
    “Well, don’t leave her standing there, Peter.  She’ll think we’re talking about her.”
    “We are talking about her.”
    “Go let her in!”
    I went to the front door and opened it.  Patti was waiting there, looking wary.
    “You were talking about me, weren’t you?” she said, frowning.
    “No—we—my mother had one of her ideas—and—I should tell you about these ideas—I mean I should warn you—”
    “Do you think I should go home?” she asked.
    “No,” I said.  “Of course not, but—”
    From over my shoulder came my mother’s voice, calling out “Patti Fiorenza!” as if she’d been wanting to meet Patti for a very long time.  “Come in!  Come in!”  I stepped aside, and Patti stepped across the threshold.  My mother was holding both hands out toward her, and Patti grasped them.  With a hand on Patti’s shoulder, my mother led her through the kitchen to the dining room.  I followed.  “Sit down!” my mother said.  Patti sat, and I sat, too.
    My mother looked Patti over—stared at her, really, looking for clues, I thought.  “I’ve heard so much about you!” she said, with something like awe in her voice.
    “It’s not true,” said Patti.  “Honest.”
    “It couldn’t be,” said my mother.  She paused as if she’d startled herself, considered what she’d said, and added, “Not all of it, anyway.”
    I wondered what she meant by that.  What had she heard about Patti, and which parts of what she’d heard did she not believe?
    “Everybody thinks I’m a slut,” said Patti, “but—”
    “And everybody thinks I’m a nut,” said my mother, “but—”
    They burst out laughing, like schoolgirls who fall into a fit of giggling over an invisible something like a puff of wind.
    “I think it was the candy that did it,” said my mother, with the short sharp nod of one who has come to a firm opinion after giving a matter some thought.  “The lace candy.  That convinced them.  Ella’s nuts.  Nutty as a fruitcake.”
    “My mom bought some,” said Patti.
    “I remember that,” said my mother.
    “For me, it was that famous blow job,” said Patti with a frown and a shake of her head.  “Dennis Jarvis!  He was the one.  He told half the town that I gave him a blow job in the woods behind Stillman’s delicatessen.”
    “But you didn’t?” asked my mother.
    “Only in his dreams,” said Patti, and she and my mother burst out laughing again.
    This conversation was making me very uncomfortable.  Patti Fiorenza was sitting at my dining room table chewing her gum, winking and pouting, and chatting with my mother about a blow job;  my mother was waving her cigarette in the air as she spoke, pushing her hair askew, and giggling like a girl.  Did they really have to do such a good job of playing the slut and the nut?  And how on earth could my mother possibly know what a blow job was?
    To change the subject, I picked up one of the papers from the table and asked, “What’s this?”
    They looked at me, and then at each other, and fell against each other, shrieking with laughter, astonished to discover that I was still there.
 


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Arrange for a reading.
If you've got any influence with a bookstore, college, friendly neighborhood tavern, or other cultural institution, persuade the governing body to invite Kraft to give a lecture or reading. He's a whiz! Just shoot me an e-mail and I'll be glad to help with the arrangements.
You'll find more swell ideas from Candi Lee here.


Copyright © 2001 by Eric Kraft

Inflating a Dog is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. 

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. 

Picador USA will publish Inflating a Dog in the summer of 2002.

For information about publication rights outside the U. S. A., audio rights, serial rights, screen rights, and so on, e-mail Kraft’s indefatigable agent, Alec “Nick” Rafter.

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.


ABOUT THE PERSONAL HISTORY
COMPONENTS OF THE WORK
REVIEWS OF THE ENTIRE WORK
AUTHOR’S STATEMENT

LITTLE FOLLIES
HERB ’N’ LORNA
RESERVATIONS RECOMMENDED
WHERE DO YOU STOP?
WHAT A PIECE OF WORK I AM
AT HOME WITH THE GLYNNS
LEAVING SMALL’S HOTEL
INFLATING A DOG
PASSIONATE SPECTATOR
MAKING MY SELF
A TOPICAL GUIDE

CLASSIFIEDS
SWELL IDEAS

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