Babbington Books

Books in the Arcade of Allusions

The Analog “I” and the Metaphor “Me"

Easy Come, Easy Go

I Wanted to Read Something About the Happy Life

Pessoa Sacrifices His Personality to His "Others"

An Idea Versus the Representation of an Idea

Bertie Wooster on Long Island

He Began by Building Landscapes

She Was the Sister of His Imaginary Friend

Things Don’t Like Me

Life Is What We Make of It

Life Is What We Make of It

     Travel? One need only exist to travel. I go from day to day, as from station to station, in the train of my body or my destiny, leaning out over the streets and squares, over people's faces and gestures, always the same and always different, just like scenery.
If I imagine, I see. What more do I do when I travel? Only extreme poverty of the imagination justifies having to travel to feel.
     “Any road, this simple Entepfuhl road, will lead you to the end of the World.”* But the end of the world, when we go around it full circle, is the same Entepfuhl from which we started out. The end of the world, like the beginning, is in fact our concept of the world. It is in us that the scenery is scenic. If I imagine it, I create it; if I create it, it exists; if it exists, then I see it like any other scenery. So why travel? In Madrid, Berlin, Persia, China, and at the North or South Pole, where would I be but in myself, and in my particular type of sensations?
     Life is what we make of it. Travel is the traveler. What we see isn't what we see but what we are.

* Thomas Carlyle, Sartor Resartus

Fernando Pessoa as Bernardo Soares
The Book of Disquiet

  
 

The Peronal History, Adventures, Experiences & Observations of Peter Leroy


Copyright © 2013 by Eric Kraft. All rights reserved. Photographs by Eric Kraft.